Works

Forty-four works in three groups, each issued as an archival pigment print in a limited, numbered edition, except where the output is drawn and each sheet differs, in which case they are unique. Prices are given on enquiry, together with condition, edition and details of the execution.

LT-01Latent Terrains

Latent Terrain I, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

A horizon that will not resolve: the band of light sits where a coastline should be and refuses to become one.

LT-02Latent Terrains

Latent Terrain II, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

The greens were narrowed over four passes until the valley stopped reading as a specific place.

LT-03Latent Terrains

Latent Terrain III, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
120 × 80 cm · Edition of 12 + 2 AP

Vertical, and wet-looking. The gold does not fall where light would fall, which is the point of it.

LT-04Latent Terrains

Latent Terrain IV, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
70 × 120 cm · Edition of 12 + 2 AP

Three bands and nothing else. The lowest one carries almost all the incident.

LT-05Latent Terrains

Latent Terrain V, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

The palest work in the group, and the one that took longest to arrive at.

LT-06Latent Terrains

Latent Terrain VI, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

Peaks emerging from a field that is not quite mist and not quite paper.

LT-07Latent Terrains

Latent Terrain VII, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

A single gold seam divides the sheet. Everything above and below it is weather.

LT-08Latent Terrains

Latent Terrain VIII, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

Sea, read as sea only because of the line across the upper third.

LT-09Latent Terrains

Latent Terrain IX, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

Ice, or the idea of it. The blue veining runs against the direction the eye expects.

LT-10Latent Terrains

Latent Terrain X, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
120 × 80 cm · Edition of 12 + 2 AP

One light source in a dark field — the closest the series comes to a subject.

LT-11Latent Terrains

Latent Terrain XI, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

Night, granular at close range and flat from across a room.

SD-01Sediments

Sediment I, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

Mineral rather than atmospheric: the surface reads as something that formed rather than something that was painted.

SD-02Sediments

Sediment II, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

Gold suspended in a dark ground, dense at the centre and thinning towards the edges.

SD-03Sediments

Sediment III, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

Green and gold in the same register, held apart by grain alone.

SD-04Sediments

Sediment IV, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

A source at the centre, and the whole field organised around it.

SD-05Sediments

Sediment V, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

Copper worked into violet until neither is the ground.

SD-06Sediments

Sediment VI, 2025

Archival pigment print on baryta paper
80 × 120 cm · Edition of 8 + 1 AP

The lightest work in the group. The structure only appears at close range.

SD-07Sediments

Sediment VII, 2025

Archival pigment print on baryta paper
80 × 120 cm · Edition of 8 + 1 AP

Red at full strength, with the darker channel cut through the lower half.

SD-08Sediments

Sediment VIII, 2025

Archival pigment print on baryta paper
80 × 120 cm · Edition of 8 + 1 AP

Sand moving under water, or the record of it having moved.

SD-09Sediments

Sediment IX, 2025

Archival pigment print on baryta paper
80 × 120 cm · Edition of 8 + 1 AP

The most legible landscape in the group, and deliberately the last in the sequence.

CN-01Constructions

Construction I, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

A single fissure through a grey field, built up thickly enough to cast its own shadow.

CN-02Constructions

Construction II, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Cut shapes against a drawn distance. The orange band is what holds the two apart.

CN-03Constructions

Construction III, 2024

Archival pigment print, mounted on aluminium
80 × 120 cm · Edition of 15

Curves in green and navy, with the pale form running underneath both.

CN-04Constructions

Construction IV, 2024

Archival pigment print, mounted on aluminium
80 × 120 cm · Edition of 15

Two shapes and a line. Everything else is the paper.

CN-05Constructions

Construction V, 2024

Archival pigment print, mounted on aluminium
120 × 120 cm · Edition of 15

Geometry with one circular incident. The planes were fixed before the colour was chosen.

CN-06Constructions

Construction VI, 2024

Archival pigment print, mounted on aluminium
120 × 95 cm · Edition of 15

Perspective built from flat colour, which is to say a perspective that does not resolve.

CN-07Constructions

Construction VII, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Overlaid ovals on a sheet that shows its own edges. The nearest thing here to a drawing.

CN-08Constructions

Construction VIII, 2024

Archival pigment print, mounted on aluminium
80 × 120 cm · Edition of 15

Translucent planes, one over another, with a single warm mark at the intersection.

CN-09Constructions

Construction IX, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

A field divided once, along a seam that is doing the work of the whole picture.

CN-10Constructions

Construction X, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Two circles, drawn rather than placed, against a red that was laid in first.

LT-12Latent Terrains

Latent Terrain XII, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

Water rather than land, and the only work in the group where the surface is legibly wet.

LT-13Latent Terrains

Latent Terrain XIII, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
80 × 120 cm · Edition of 12 + 2 AP

A reflection, held at the moment the reflected thing stops being identifiable.

LT-14Latent Terrains

Latent Terrain XIV, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
120 × 85 cm · Edition of 12 + 2 AP

Almost nothing: one blue line across a pale ground, and the ground doing all the work.

LT-15Latent Terrains

Latent Terrain XV, 2026

Archival pigment print on Hahnemühle Photo Rag 308 gsm
120 × 120 cm · Edition of 12 + 2 AP

The most worked surface in the group, built up and scraped back several times over.

SD-10Sediments

Sediment X, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

Violet and acid yellow forced through the same veining, which should not hold and does.

SD-11Sediments

Sediment XI, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

A grid dissolving into the field beneath it, from the top edge downwards.

SD-12Sediments

Sediment XII, 2025

Archival pigment print on baryta paper
120 × 80 cm · Edition of 8 + 1 AP

The darkest work here. What light there is comes off the glaze rather than through it.

CN-11Constructions

Construction XI, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Figures implied by three blocks of colour and refused by everything else on the sheet.

CN-12Constructions

Construction XII, 2024

Archival pigment print, mounted on aluminium
120 × 95 cm · Edition of 15

Peach ground, one dark incident, and a blue mark that arrives late and settles it.

CN-13Constructions

Construction XIII, 2024

Archival pigment print, mounted on aluminium
120 × 120 cm · Edition of 15

The most crowded work in the group, and the only one where the shapes overlap freely.

CN-14Constructions

Construction XIV, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Two forms and a seam. Yellow and teal, held apart by the width of the paper showing through.

CN-15Constructions

Construction XV, 2024

Archival pigment print, mounted on aluminium
120 × 90 cm · Edition of 15

Gesture over structure — the blue and red were laid in before the grey was decided.

CN-16Constructions

Construction XVI, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Black, gold and white, moving diagonally. The most direct work in the group.

CN-17Constructions

Construction XVII, 2024

Archival pigment print, mounted on aluminium
120 × 80 cm · Edition of 15

Green cut through violet and black, with the ground left visible at the lower edge.